Bernard Leach

Barbara Hepworth Bernard Howell Leach, CBE, CH (5 January 1887 – 6 May 1979), was a British studio potter and art teacher.

He is regarded as the "Father of British studio pottery" (1903 – 20 May 1975) was an English sculptor. Her work exemplifies Modernism, and with such contemporaries as Ivon Hitchens, Henry Moore, Ben Nicholson, Naum Gabo she helped to develop modern art (sculpture in particular) in Britain.Leach was born in Hong Kong and brought up in the Far East. His father was a colonial judge in Hong Kong and his maternal grandparents were missionaries in Japan.

As a young man he studied etching at the London School of Art before settling in Japan where he became fascinated with pottery and studied under the great master Kenzan.  Leach was born in Hong Kong, but spent his young adult years in Japan where he came into contact with a group of young Japanese art lovers who called themselves Shirakaba (白樺). Through them he learned about William Morris and the Arts and Crafts Movement. It was in Japan that Leach began potting under the direction of Shigekichi Urano (Kenzan VI) and befriended a young potter named Shoji Hamada.

With Hamada, he set up the Leach Pottery at St. Ives, Cornwall in 1920, including the construction of a traditional Japanese wood burning kiln. The two of them promoted pottery as a combination of Western and Eastern arts and philosophies. In their work they focused on traditional Korean, Japanese and Chinese pottery, in combination with traditional techniques from England and Germany, such as slipware and salt glaze ware. They saw pottery as a combination of art, philosophy, design and craft – even as a greater lifestyle. However, many in the West considered their pottery crude by the refined standards of the day.

Publishing A Potter's Book in 1940 defined Leach's craft philosophy and techniques, and became his breakthrough to recognition. In the 1930s Leach met Mark Tobey, a fellow artist and teacher at Faith. In 1934, Tobey and Leach traveled together through France and Italy, then sailed from Naples to Hong Kong and Shanghai, where they parted company, Leach heading on to Japan. Leach formally joined the Bahá'í Faith in 1940.

Many potters from all over the world were apprenticed at the Leach Pottery, and spread Leach's style and beliefs. His British associates and trainees include Michael Cardew, Katherine Pleydell-Bouverie, Nora Braden, David Leach and Michael Leach (his sons), Janet Darnell (whom Leach married, 1956), William Marshall, Sylvia Hardaker, Kenneth Quick and Richard Batterham. His American apprentices include Warren MacKenzie (who likewise influenced many potters through his teaching at the University of Minnesota), Byron Temple, Clary Illian and Jeff Oestrich. He was a major influence on the leading New Zealand potter Len Castle who travelled to London to spend time working with him in the mid-1950s. Many of his Canadian apprentices made up the pottery scene of the Canadian west coast during the 1970s in Vancouver..

He continued to produce work until 1972 and never ended his passion for travelling, which made him a precursor of today's artistic globalism. He continued to write about ceramics even after losing his eyesight. The Victoria and Albert Museum in London held a major exhibition of his art in 1977. The Leach Pottery still remains open today, accompanied by a museum displaying many pieces by Leach and his students.

You must visit the Leach Pottery whilst here in St Ives.